Ruin is the namesake of the album, and the second of two ballads. With a sharp drum beat and a minor key, it feels like fire and fury, and it feels good. It’s almost a love letter to those who have had enough of being put down, those who have gone through times of hardship and abuse and come out with fists swinging. Instead, it morphs into the feral desperation of someone who has hit rock bottom and knows they have nothing left to lose. It starts off soft, with a melancholic comforting feel, but it doesn’t remain that way for long. It’s very long in comparison to the others (almost nine minutes). The discourse between the two vocalists as parents bidding their child goodbye as they go off into the world is truly profound.Īnother fan favorite, The Old Witch Sleep and the Good Man Grace leans into the edgier side of this genre. The harmonies are simply spectacular, and the conversation style lyrics are absolutely brilliant in their simplicity. It’s reminiscent of Welly Boots, my favorite song from The Horror and the Wild album. This is the sort of song you could raise an army to.Ĭhords has become very dear to me. The cello is a very nice touch, and I very much enjoy how fast it goes from 0 to 100. It feels like righteous anger and rebellion. Blossoms is defiant in both lyrics and tune, similar to the song The Horror and the Wild. It’s the sort of song that is very easy to replicate and sing around a campfire. In my opinion, that makes it all the more compelling. The track itself is sparse, just one guitar and the two vocalists. It’s funny in its honesty, and endearing with its relatability. It’s a power ballad if there ever was one.ĭrinking Song for the Socially Anxious is a fan favorite for a reason. It tells a very different story, too: a more desperate, dangerous one of someone with more to lose and gain. #Real wild child lyrics fullIt does a full 180º flip from Secret Worlds, bringing the signature power fans recognize. It’s got a bit of a different feel from much of their other work Less intense and more childlike reminiscent of Battle Cries and the beginning of Not Yet / Love Run. It’s very playful capturing that invincible feeling teenagers so often have. The opening song of the album, Secret Worlds is the perfect way to kick off the new lineup. From the tear-jerkers to hype songs, they have met and arguably surpassed the success of their last album, The Horror and the Wild. The Amazing Devil (Joey Batey and Madeleine Hyland)’s latest album, ruin (released on October 31, 2021) is some of their best work yet.
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